Exhibitions and Residencies for Out-of-Sync
a collaboration between Maria Miranda + Norie Neumark
A Rumour of Homicide
Sound work for The
Sound Limo, curated by Holly Crawford
Melbourne International Arts Festival, October 12 - 27, 2007
Searching for rue Simon-Crubellier
video
20 minutes + wall map, google searches, photo albums
http://www.out-of-sync.com/searching/index.htm
Installation Artspace,
Sydney Feb-15 – March 10, 2007
Presentation at Rhode Island School of Design, April 11, 2006
Presentation at Fingerlakes Environmental
Film Festival, April 5, 2006
Presented at Cornell University, April 4, 2006
Presented at Historical Society, Peterborough NH, March 2006
Talking About the Weather
cross media project where we set out to collect the world's biggest collection
of breath
Installation:
UTS
Gallery, Sydney, July3 - August 3, 2007
Govett-Brewster
Gallery, New Plymouth, NZ, July 15-Aug 3, 2006
Collaborative Blog ,
ongoing.
SCANZ July 2-16,
2006
Rhizome, November, 2006
Drawing Breath
event based work where participants
are asked to 'draw' breath
Installation, G&A Gallery,
Drawing Show, April 12 – 30, 2006
Presentation at Rhode Island School of Design, April 11, 2006
Presentation at Fingerlakes Environmental
Film Festival, April 5, 2006
Presented at Cornell University, April 4, 2006
Nef Studio, The MacDowell Colony, March 24 NH, 2006
En cherchant la rue simon-crubellier
Video Installation, Gallery 1, La Cité Internationale
des Arts, Paris, June, 2006
Uncontrollable Frequencies
Unrealised project which uses radio frequencies to broaodcast in
the Sydney Harbour Tunnel
Installation part of Unrealised Projects at G&A Gallery,
Elizabeth St. Sydney http://www.gastudiosltd.com/
November 4 –December 11, 2005
In One Year and Out the Other : Fluxus Event
Invited to participate in In One Year and Out the Other, fluxus telephone event
curated by Ken Friedman, January 1, 2005
The Fourth Floor
fictive video blog
(The Fourth Floor on Metamute.
but it's faster to access it here)
FILE RIO, Festival Internacional de Linguagem Electrônica, Brazil,
March 19- April 22, 2007
FILE2006, Festival Internacional de Linguagem Electrônica, Brazil,
August, 2006
Presented by Tim Murray at University of Richmond, Virginia, November 2006
Internet Art, commissioned for MetaMute, online magazine based in UK, 2005
War of the Words
video. ICOLS Strategy Defense and Arms Fair at Centre for Contemporary
Arts (CCA) Glasgow, Scotland, March 25 - May 15 2005; The Performance Space
Sydney, Australia, April29 - May 21 2005; Side Cinema, Newcastle upon
Tyne, UK, June 1, 2005."Words, Images, and the Framing of Social Reality," New
School, New York, April 18th 2005
E.motion Walk #11
selected for The Mars Patent: The First Interplanetarian Exhibition Space
on Mars http://www.mars-patent.orgFebruary,
2005
Studio on Turbulence
(www.turbulence.org),
2004 http://turbulence.org/studios/rumor/ (see
below details of individual works featured on the studio)
Open Studio/Porte
Aperte, La Cité Internationale des Arts, Paris, France, December,
2004.
Séance: a networked glossalalia
This was a networked performance event for the ISEA2004
ferry between Helsinki and Tallin. It is documented online; http://turbulence.org/studios/rumor/emotion/sea.nce/documentation.html
ISEA2004, August, 2004.
The Perpetual Emotion Project
Net art project
http://turbulence.org/studios/rumor/
Pixel Pops,
Gallery C2C, Prague September 2006
Net art site selected for
SoundToys, April 2005,
MAF2005, Thailand
Rhizome, December 2005
Turbulence, May
2004;
FILE2004, Festival Internacional de Linguagem Electrônica, Museum of
Image and Sound (MIS) São Paulo, Brazil. Nov-Dec, 2004;
First Annual Report from the Institute of Emergent Emotions
Radiophonic work commissioned by The Listening Room, Radio National, ABC,
12 September, 2004
Museum of Rumour
Installation and net art site; http://turbulence.org/studios/rumor/museum/
Installed at Kirkbride Gallery, Sydney College of the Arts, December 2003;
Maria Miranda awarded ATOM Award for Museum of Rumour, (category:
Tertiary, Best Experimental,) 2004.
Drunken Boat, finalist in Panliterary award, http://www.drunkenboat.com/ July,
2006
The Blur of the Otherworldly: Technology and the Paranormal, Center
for Art and Visual Culture, Baltimore, October, 2005
Rhizome, December, 2005
Provflux 2005,
May 2005
Net art site selected for Turbulence,
May 2004
Ciber@rt, Bilbao, April 2004
Scan Gallery, 2004
Switch,
Thailand, 2004
Java Museum, 2004
Incubation 3
Gallery 2004
Assemblage:
The Women’s New Media Gallery 2004
FILE2004, Festival Internacional de Linguagem Electonica, Museum of Image
and Sound (MIS), Sao Paulo, Brazil. Nov_Dec, 2004
Hollow Man Rumours,
ICOLS How to be a perfect guest Sharjah International Biennial 6, 2003, Sharjah
Art Museums and Expo Centre Sharjah, United Arab Emirates
ICOLS (International Corporation
of Lost Structures)
members - Local Unit of Missing Links (aka Professore Rumore + Doktor Rumor)
FILE 2003- festival internacional de
linguagem eletrônica, Museum of Image and Sound (MIS) São Paulo,
Brazil.
ICOLS, How to be a perfect guest Sharjah International Biennial 6, Sharjah
Art Museums and Expo Centre Sharjah, United Arab Emirates. ICOLS Glasgow Event,
Wasps Studios, Glasgow, Scotland ICOLS.ORG, The Esplanade, Theatres on the
Bay, Singapore, 2002.
Artists’ Performance, “Correct Usage of Budinsky and Budoutsky
Pipettes for Rumour Extraction,” ICOLS launch, Museum of Contemporary
Art, Sydney, Australia July 2002
Journey to the C/enter
Internet work, August 2002;http://out-of-sync.com/journey/
TrAce Incubation 3 Symposium,
2004
Net art site selected for Turbulence,
May 2004
Javamuseum, March 2004
Maid in Cyberspace 06:: Active Agent, Montreal, February 2003
Assemblage:
The women’s New Media Gallery, 2003
Selected for TypeSlowly, September 2002
Media Teche, This is Not Art, Newcastle, October 2002
Volcano
Installation, Artspace, Sydney, June 2001 and The Virtual Mine, Saarbrucken,
Germany, August-September, 2001 and on line www.the-virtual-mine.net
Volcano
Machine_Organs
‘TechFlesh’, Ctheorymultimedia,
June 2001
exhibited d>gest@feast, Arts SA Gallery, Adelaide, Oct, 2001
Assemblage:
The women’s New Media Gallery, 2003
Dead Centre: the body with organs, a collaboration with
Amanda Stewart and Greg White
Installation, The Performance Space, Sydney, July 1999
featured ‘In the Making’ on ABC online; http://www.abc.net.au/arts/headspace/special/deadcentre/
Shock in the Ear
CD-ROM, June 1998 (see below for exhibitions*)
Shock in the Ear
Installation, Artspace, Sydney, April, l997; Artemesia Gallery,
Chicago, Sept, l997
Go For It,
interactive CD-ROM, March, l994
Artist Residencies and Fellowships
La Cité Internationale
des Arts, Paris, June 2006
SCANZ, New
Plymouth New Zealand, July 3-17, 2006
Toos Neger, Dordrecht, The Netherlands, April 24 – May 24, 2006
The MacDowell Colony, NH, February
2 – March 31, 2006
La Cité Internationale
des Arts, Paris, October – December 2004
Invited as artists/scholars, University of Paris 8 (March-May, 2004)
TrAce, Incubation3 2004, Nottingham
UK, July 2004. (Artist Bursaries)
Solar Circuit Artist Residency, Maria Island, Tasmania January – February
2-14, 2002
Fellowships as artist/scholar, Society for the Humanities, Cornell University,
1999/2000
Prizes and Awards
Oldenburg-Reiche Prize, Mars Patent, 2006
Awards for Museum of Rumour
Finalists in Web Art, Drunken
Boat’s Pan Literary Awards, 2005
First Prize for tertiary experimental, ATOM awards, (Melbourne,2004)
Awards for Shock in the Ear (CD-ROM)
First Prize for multimedia, VideoFormes 2000 (Clermont Ferrand, March,
2000)
First Prize for experimental CD-ROM, ATOM awards, (Melbourne, July, 1999)
First Prize, CD-ROM award at COMTECart (Dresden, November, 1998)
Silver Medal at Invision 98 (San Francisco, November, 1998)
Third Prize in the National Digital Art Awards (September, Brisbane, 1998)
[First in CD-ROMs]
Special mention at Videobrasil (Sao Paulo, September 1998) [No ‘award
category’ available for CD-ROMs]
*Exhibitions of Shock in the Ear (CD-ROM)
2005, selected for exhibition in "Bodies Through Technology," Tompkins
County Public Library, Ithaca, New York.
2004, selected for exhibition in Contact Zones, New World Gallery at
Radiofreehamptons, August-September, 2004.
In 2001, selected for exhibition at Nickle Arts Museum, the University
of Calgary, Oct.-December. Purchased for permanent collection and exhibition,
Cinemedia, Melbourne, July, 2001
In 2000, selected for exhibition at VideoFormes (Clermont Ferrand, March),
Dissection, The Macau Museum of Art (Macau, August-November), Siggraph
2000 Art Gallery (New Orleans, July). Juror’s Exhibition, Thaw
00 (Festival of Video, Film, and Digital Media, University of Iowa, April,
2000), ISEA 2000 (September, Paris), "Contact Zones: The Art of
CD-Rom," Forum des Images, Paris, France, December, 2000.
In 1999, selected for exhibition at, among others, "Contact Zones:
The Art of CD-Rom" (Herbert F. Johnson Museum Art, Ithaca, New York;
Centro de la Imagen, Mexico City, Mexico; Virginia Film Festival/Robertson
Media Center, University of Virginia, Charlottesville, Virginia,), CCC
Gallery, Melbourne (April); EMAF (Osnabreuck, May); Virtuality and Interactivity:
mediARTech (Florence, May); v.1. (Hobart and William Smith Colleges)
N.Y. (Sept-May); and DAC Artists’ Salon, Atlanta (Oct)
In l998, selected for exhibition at, among others, Australian Film Commission
Annual Conference, 'Being Connected' (July, Melbourne); ACM-SIG Multimedia
98 Art Program (September, UK); Institute of Modern Art (September, Brisbane);
WoW film festival (Sydney, September); Montreal international Festival
of new Cinema and new Media (Montreal, October); SEAFair 98 (Skopje,
October); French-Baltic-Nordic Video and New Media Festival (November,
Estonia); Ngapartji Gallery (Adelaide, November)
Exhibition of the prototype released in mid-1997: techne (Perth and
Australian National Tour); Matinaze (Sydney); transmedia 97 (Berlin);
Australian Centre for Contemporary Art (Melbourne); Altered States/Interact
Asia Pacific Multimedia Festival (Melbourne); Institute of Modern Art
(Brisbane); Pan-Pacific Festival, Centre for Contemporary Art (Amsterdam);
WoW Film Festival (Sydney); arts'_edge (Perth) |